I then profiled FABW and FAPR in the Pro-2000, obtaining results of average dE(76) 1.03 and 0.84 respectively. The 24"-wide model with an 11-Color plus Chroma Optimizer ink system that embraces every challenge obsessed photographers and designers can throw at it. I put two questions to the observers: (1) which sample has the deepest, richest-looking Black (the background) and (2) which displays the most colour vibrancy (the vase of flowers)? This in itself was telling – the answers were not so obvious as the prints appear so similar. So clearly other differences between the models, not the inkset and the printhead, were at play. (FA Pol Rag for the P800 is not in Figure 15). INFO: www.usa.canon.com. Figures 18, 19 and 20 are from film scans of photos I made at Angkor Wat and scanned in 2004. The practical meaning of all this is that in order to achieve the appearance of similar tone and vibrancy from the matte paper as is easily obtained from the luster paper, the image preparation in one’s editing application will be different between the two kinds of paper; but having found the right combination of adjustments to make (which would vary by image), one can come remarkably close to luster-style Black and vibrancy appearance when printing on the FASmooth and, by the way, FABrightWhite papers. Workflow enhancements include the use of three L-COA PRO processing chips for faster data crunching and a built-in hard drive so print jobs can be quickly off-loaded from a PC and onto the printer. Now, when you consider that the L* values read from the Black (L*0) patch of the accuracy test page with the i1Pro2 spectrophotometer indicate L* 13.8/14 for FA Smooth and 2.9/3.6 for FA PolRag, it is clear that the value of Black assessed from subjective evaluation and that read with the spectrophotometer don’t correlate – in the sense that the matte Black (FASmooth) doesn’t look ten levels lighter than the luster (FAPolRag) Black as the L* values would suggest it should, making the point of the Canon scientists. They found that research results based only on spectrophotometric evaluation will not necessarily lead to predictable colour appearance impacts – particularly for the Blacks. Obviously, the specific Pro-1000 in my studio is not equivalent to Canon’s new Pro-2000 – to an extent that exceeds the expected range of variation one would expect between two units of “the same” technology. (That said, the thing will still visibly shake as it prints.) In particular, between the new printers, the new inkset and the new papers (FAS, FABW, FAPR) they have come closer to bridging the perceptual gap between matte and PK papers than several seasoned print viewers and I had ever seen before. The imagePROGRAF PRO-200 can … The Canon imagePROGRAF PRO-2000 is a wide-format inkjet printer. The 24" imagePROGRAF PRO-2000 printer is designed to exceed expectations for image quality and color consistency in a large format printer. Having developed these equations relating L* and optical density to colour appearance, they no longer needed recourse to the spectroradiometer and the laborious construction of physical environments to replicate each viewing condition. The footprint of this machine considering the 24-inch carriage width is the smallest that’s been designed for this size carriage that I’ve seen. Working jointly, it took us an hour and a half from opening the box to completing the calibration print. Relevant to our current topic, OEM profiles for these papers were not yet available at the time. Canon imagePROGRAF PRO2000 Supplies and Parts (All) for less. Moving on to item (2), using Pro-1000 profiles in the Pro-2000: I merrily set-about creating a custom profile in my usual way – using the Adobe Color Print Utility (ACPU) to print the profiling targets (because colour management needs to be disabled and this utility is *supposed to do that* and always did in the past), then measuring them with my i1Pro 2 and making three profiles corresponding with M0, M1 and M2 conditions. I was impressed with the ease of assembling the stand (Figure 1) and print receptacle basket (which can be set in five different positions) – the only “tough” part being the four guys needed to displace the printer onto the stand (Figure 2). Want more PDN? The rendition of fine detail is remarkable. It remains nonetheless possible and even likely that many users will find that profiles with accuracy in the range of 2 to 3 dE deliver perfectly acceptable print quality relative to their perception, taste and needs. More », August 21, 2019 Canon Australia has announced the PIXMA PRO-200 professional photo desktop printer, a successor to the highly-regarded the PIXMA PRO-100. Figures 21 and 22 are from photographs I made in Easter Island several years ago with my Sony NEX 6. This is a large format photo ink jet printer that supports up to 24" wide rolls. The Canon imagePrograf PRO-1000 ($1,299.99) is the first new near-dedicated photo printer we've seen from Canon in quite a while, and it was well worth the wait. Patiño says he likes the fact that the print head is self-installable, so when it taps out, it’s easy to replace yourself. If I examine such prints at optimal viewing angles for seeing image detail, vibrancy and dynamic range, this gloss differential is not apparent; this probably because, for optimal viewing, the correct placement of the print relative to the primary lighting source and the observer would minimize surface glare and texture. Find 32 listings related to Canon Camera in North Scottsdale on YP.com. It may also vary depending on the paper. CONS: Can’t return to image editing when Canon Print Studio software is open; ink costs can add up quickly. I also tested printing the profiling targets in the Pro-2000 printer directly from i1Profiler, but the results from that exercise mildly exceeded my acceptable range. Figure 6 shows the new print head compared with the model for previous large format models. This would be of particular interest to those using the printer in a high volume production environment. Hence, I undertook some diagnostics, going back to very familiar territory that worked well in the past – profiling my Epson P800 using ACPU and all the usual settings – but this time with Canon Pro Luster paper. Therefore, I wouldn’t dismiss OEM profiles out of hand just because I can achieve greater accuracy using custom profiles made with professional grade equipment and software. By this time, Canon Canada had received their first sample packs of three new papers Canon was bringing to market: Premium Fine Art Smooth (hereafter FAS – a matte paper), Premium Fine Art Bright White (hereafter FABW – also a matte paper) and Premium Fine Art Polished Rag (hereafter FAPR – a luster-like PK paper). Figures 23 and 24 are from Goreme Turkey and Toronto respectively. The image quality was impeccable. Speaking of high productivity, I found the combination of Print Studio Pro and roll paper very handy for commissioning an automated sequence of prints from different photos. Where to Buy? The print head is also wider than the prior model and features anti-clogging technology to reduce maintenance and down time. When you’ve opened images in it, you’ll be unable to return to Photoshop to do further edits on the photo, which is inconvenient. The rendition of fine detail is remarkable. Skin tones on Patiño’s portraits were beautifully reproduced and the colors were richly saturated. Or put otherwise, due to certain limitations of spectrophotometers, a series of measured L*a*b* values versus the ordering of Black shades from dark to lighter reported by viewers’ subjective evaluation can be inconsistent depending on the characteristics of the observation environment – particularly the colour of the walls (e.g. all such programs, … Canon claims this speeds processing and, along with the unibody printer construction, improves accuracy of ink dot placement. Once the inks and the printhead are installed, the printer does a self-calibration (output shown in Figure 7). I then profiled FABW and FAPR in the Pro-2000, obtaining results of average dE(76) 1.03 and 0.84 respectively. It uses the best archival pigment ink that Canon … Because good profiles are an important component to achieving good quality prints of predictable tone and colour; hence the question is whether this printer, inkset and a variety of papers are conducive to high quality, reliable profiling. Set up your online access now. Hence, I undertook some diagnostics, going back to very familiar territory that worked well in the past – profiling my Epson P800 using ACPU and all the usual settings – but this time with Canon Pro Luster paper. Regardless of all I said just above, the fact remains that the gamut of the luster papers still considerably exceeds that of the matte papers. I was thinking of buying PROGRAF iPF6400 but somehow could not … We printed a number of high-resolution TIFs, along with 50-megapixel files from Canon’s 5DS and the Hasselblad H6D-50c, and 100-megapixel images from the Phase One Trichromatic using Photoshop and Canon’s Print Studio Pro software. Find 33 listings related to Canon Camera in Phoenix on YP.com. Epson’s comparably priced SureColor P6000 offers a printer server drive as an option. Hence I shall expend much less space on what has already been said, but rather consider this an experience report on the underlying and cooperating factors that give rise to the excellent prints that the Canon Pro-1000 and Pro-2000 are capable of delivering. The first step of course, is to address item (1), which I did. Big sensor cameras are opening the door to larger prints, and manufacturers are beginning to meet the demand with larger print size capable desktop printers. This was made possible because the ink tanks are positioned top-back rather than on the sides. I would like to acknowledge from the outset the very generous commitment of time, materials and insight that staff members of Canon Canada, Canon USA and Canon Inc. (Kanagawa, Japan) have contributed, enabling me to write this article, always based on the principle that I remain in charge of what I say here. Between the ease-of-use and image quality, he says, it’s a great addition to any studio that wants to produce wide format images. Observers and I thought the printer and paper performed very well in these respects. The results were stunningly unsatisfactory (Figure 11). They are not being made available in sheet form, and at time of writing they are still “White Box” products with limited distribution, primarily to the commercial market. Canon ImagePROGRAF PRO-2000 24" Printer Now Replaced by the Canon ImagePROGRAF PRO-2100 24" Printer The imagePROGRAF PRO-2000 A1 (24″) printer is designed to bring stunning image quality to … Now, when you consider that the L* values read from the Black (L*0) patch of the accuracy test page with the i1Pro2 spectrophotometer indicate L* 13.8/14 for FA Smooth and 2.9/3.6 for FA PolRag, it is clear that the value of Black assessed from subjective evaluation and that read with the spectrophotometer don’t correlate – in the sense that the matte Black (FASmooth) doesn’t look ten levels lighter than the luster (FAPolRag) Black as the L* values would suggest it should, making the point of the Canon scientists. Setting-Up. The printer looks to be of very robust construction, is straightforward and easy to use, paper feeds very reliable, no channel-sharing of Black inks, compact for a printer of its carriage width and most important of all – it makes splendid prints if the profiles are good, the paper quality is good and the photos are suitably edited. Before moving on from the topic completely, this discussion leaves open one nagging issue about whether it is OK to use OEM (aka “canned” profiles) for making prints; after all not everyone has profiling equipment or wants to use a custom service. One prints this test image of course without making any adjustments to it. The printer works with an optional Multifunction Roll System ($800). All custom profiles. I showed these prints to several people whose print evaluation skills are good and they were enthusiastically received. (3) If not, how best to create custom profiles for the Pro2000? It also uses Canon’s Chroma Optimizer, the first time it has been used in the company’s 24-inch printers. This is readily apparent from the gamut volume data and profile shapes emerging from reading the profiles of the new papers in ColorThink Pro (Figures 16, 17). You can see the extent of the rethink from the substantial changes of the printer design and the printhead; however, rather invisible is how they changed the inkset and the laydown of ink on paper, so I should explain the bits I have been given to understand. This is slower than the Canon PRO-100's average of 1 minute 17 seconds to output a 4-by-6-inch print and 2:01 for an 8 by 10, but faster than the Canon PRO-1's times of 2:14 and 3:53, … An Immersive Experience: How Renowned Photographers are Captivating Audiences with Prints. This is the kind of photo that could come out muddy looking on a matte paper, but between careful LR editing under soft-proof and the quality of the printer/paper combination, it doesn’t. 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